Tag: experience

Spotify’s Head of Global Marketing Experience Explains Why This Year’s Wrapped Is the Realest Yet

Today, the biggest Wrapped we’ve ever created debuted on Spotify. Not only is it live in a whopping 170 markets and 35+ languages, but it’s also taken on a more prominent role in our app, with integrations spanning DJ, audio listening rooms, Blend, merch, and more. In a year in which Spotify brought more to users than ever before, 2023 Wrapped stands to unite all of our offerings in one unforgettable experience. 

This year’s personalized Wrapped experience is also full of new data stories, including a twist on Your Top Artist that showcases how your relationship with your favorites has changed over time. It also features Sound Town, which highlights the city that has the most similar taste profile to yours, and video thank you messages from your favorite artists—submitted by over 40,000 creators—right in the Wrapped experience.

It’s all the result of a special company-wide collaboration between teams across Spotify. As Global Head of Marketing Experience, Louisa Ferguson builds those connections across every moment of the campaign strategy, end-user journey, and global roll-out. A music and Wrapped fan herself, she’s especially excited for the ability for fellow fans to be able to share their Your Top Song playlists with friends—a long-awaited, much requested update. 

For the Record asked Louisa to unpack the thinking, data, and creativity that contributed to 2023 Wrapped.  

Describe the 2023 Wrapped vibe. 

Every year, it feels like the world is moving faster. The internet is converging with real life. There’s something about this past year that felt especially chaotic with regards to how people consumed culture. We really wanted to acknowledge that feeling because it felt very accurate to 2023. Amidst all this, we realized that “your Wrapped doesn’t lie.” The data is real. And so we leaned into creating the realest Wrapped ever.

The design for 2023 Wrapped is inspired by the early aughts. How did the team land on this creative approach in tandem with the “realest Wrapped ever” theme? 

The Wrapped identity this year reinforces the “real” theme in a playful way. We were inspired by the nostalgia of early internet expressions, and the idea of crafting them through a modern lens. We used a layered approach to dial up and down various elements to create layouts that feel fluid and dynamic. We’re always looking to push the boundaries, and we know that every year, there’s debate that Wrapped inspires. We welcome that, and we expect this year will be no different.

I would also add that there’s so much time and thought around developing a scalable design system. You have to think about what will work for the languages across all the markets we’re working in. I think the team did an incredible job of marrying this nostalgic playfulness vibe with some of the very functional requirements that come with delivering this experience at an enormous scale.

Where did the idea for the genre sandwich come from?

Genre is a fan-favorite data story for sure. This year, we were especially interested in visualizing and quantifying the genres against one another, which we haven’t always done in the past. If you think about last year’s genreverse, those genres were all merchandised together—it was one next to the other. This year, we’re showing your relative listening when compared between genres, which meant we had to do something layered. We landed on a sandwich because it had both global relevance and could be customized in a fun way. There’s a bunch of different bread types, and then the genres take up different levels of height within the sandwich. It’s also just fun. 

Interactivity and engagement are key to the Spotify experience year-round. How did you translate it for 2023 Wrapped? 

Wrapped is the capstone of what has been an incredibly delightful year of Spotify interactive experiences. We started off the year with Playlist in a Bottle and were overwhelmed by the positive user response. We expanded the My Top Five franchise. We also developed a genre-based experience called “Find Your Flow.” These experiences represent a new way of thinking about marketing and product at Spotify. And there’s more coming after Wrapped, which I won’t give away just yet. 

Originally, we believed these experiences needed to be short and sweet. But we’ve found that there’s a cohort of fans that really want to go a level deeper. They want to engage. This was really exciting because it inspired us to do even more data-rich, complicated experiences. We also learned that market nuances really matter, and for Wrapped, these learnings just reinforced the need to think critically about global versus local campaign executions. 

Wrapped also comes to life for fans beyond the app. What’s new IRL this year? 

First and foremost, something that happens in real life is friends asking each other “what’s on your Wrapped?” 

We’re also throwing tons of events around the world to celebrate the year in music. Those are going to be complemented by out-of-home experiences with interactive components. We’ll also reveal our top artist through a special billboard moment in several cities across the world. I think what’s become really wonderful about our Wrapped celebration for the global top artist in particular is that it’s given us permission to really deliver special experiences for fans. Some of our coolest, craziest work comes from those collaborations. Critically, it’s a celebration for the fans as much as the artist. We’re able to recognize both and celebrate the achievement. 

Predict your own top artist and podcast of the year.

I think it’s going to be a very strange battle between Fred again.. and Dizzy Gillespie. I’m all over the place! For podcast, it’s likely going to be Popcast, followed by The Daily. I’m just a New York Times girl, clearly. 

Catch Louisa’s Top Songs of 2023, then head to Spotify Wrapped to find your own.

From Three New Podcasts to Sound Up 2020, Here’s What’s New on the Podcast Front in Australia

With podcast listening on the rise, there’s all the more reason to be excited about what’s coming out of Australia. On February 27, we unveiled a slate of original and exclusive content, as well as the return of Spotify’s Sound Up Australia, our five-day residential podcasting workshop that helps to elevate and amplify First Nations’ voices. 

At Spotify Australia HQ, we announced three new podcasts: Spotify original sex and relationship podcast Search Engine Sex, hosted by Sound Up alumni Rowdie Walden; the second season of VICE Extremes, hosted by Julian Morgans; and the weekly youth news podcast Generation Betoota. This lineup marks the first of many anticipated announcements to come out of Australia.

Our goal is to become the number one audio platform in the world, providing the best in audio content—customized and accessible, on demand everywhere,” said Cecilia Qvist, Spotify’s Global Head of Markets. “The role our global markets play in this expansion is pivotal and we look forward to making many more announcements in this space. 

According to Edison Research and Triton Digital (2019), the number of weekly Australian podcast listeners increased by 50% over the last three years, an exciting indicator of steady growth in the world of podcasts. To celebrate the launch of these shows, here’s what Rachel Corbett, head of podcasts at “Mamamia”; Clancy Overell, editor and host of “The Betoota Advocate”; Julian Morgans; and Rowdie Walden have to say about the growth of podcasts and the need for more indigenous voices.

When did you start to notice an uptick in podcast listening in Australia?

Julian: Podcasting seemed to go mainstream around four to five years ago. Remember when Serial became a big deal? I think that was a turning point.

Clancy: The first time I noticed a boost in podcast listening was almost 10 years ago, when Ricky Gervais and Karl Pilkington were making waves all the way to rural Australia. From that point I feel like everyone has liked the idea of podcasts.

Why do you think more Aussies are tuning into podcasts now than ever?

Julian: I just think public awareness has hit critical mass. For a while I used to tell friends about podcasts, and they’d be like, “How do you listen to these things?” That doesn’t happen anymore. Also, you can listen to a podcast while doing something else. That’s a big plus.

Rachel: You don’t have to have your bum on the couch to follow a true crime story or hear the latest news. You can be walking your dog, doing the shopping or driving your car. I think this, coupled with the continued improvement in audio quality, has made taking time to listen to a podcast feel like self-care; and when people feel like consuming your content is a “treat,” that keeps them coming back.

How important are Indigenous voices to audio experiences?

Rowdie: Podcasting is such a fast-growing industry that it’s important we keep the push for diversity and inclusion in this space as well. It’s incredibly white, and as the oldest storytellers, it’s important we have representation in this space. While Search Engine Sex isn’t what you’d think of when you think “Indigenous podcast,” it’s important to show that we can exist in other spaces. Black voices can be mainstream.

Learn more about how Spotify is continuing to amplify First Nations’ voices through Sound Up Australia. 

Scary is Nothing to Be Afraid of at Spotify’s Artist-Inspired NYC Costume Pop Up

This Halloween, step beyond trick-or-treating—and out of your comfort zone. Dare to listen to some of the artists who have endeavored to push culture forward in the pursuit of their art, whether via provocative on-stage performances, music videos, or their uncompromising style. 

At Spotify’s Stay Scary pop-up this past weekend, we celebrated artists who have done just that by inviting music fans to check out—and even take home—costumes inspired by artists like Billie Eilish, Freddie Mercury, Lil Nas X and Madonna at a thrilling immersive pop-up in New York’s Soho neighborhood.

The costume accessories included an Eilish crown adorned with spiders, similar to the one featured in the singer’s “you should see me in a crown” music video, and the Lil Nas X rhinestone-accented jacket patch seen in his “Old Town Road” music video.

Also available was Trippie Redd’s iconic fang grillz and as well as a replica of the live python Britney Spears famously draped around her shoulders during her 2001 MTV VMA’s performance of “I’m a Slave 4 U.”