Passenger recently visited Australian shores and, during that trip, hosted a pop up gig for fans on the steps of the Sydney Opera House. The performance was recorded, and we’ve turned that into an exclusive Spotify Session.
LIVE IT UP came out swinging in 2013 as an emerging music festival with it’s sights set firmly on the kids. LIVE IT UP is an under 18’s only music festival based in Brisbane announcing one of the most exciting line ups imaginable for music loving teenagers this Saturday the 21st of June
PARKWAY DRIVE are headlining the mainstage this coming June at the RNA showgrounds bringing their arena selling metalcore from Byron Bay via the globe especially for LIVE IT UP. VIOLENT SOHO’S achievements in the last 12 months have been astonishing and they have confirmed their place as one of the most exciting guitar bands ever to come out of Australia.
Closing proceedings on our outdoor stage are much loved indie rock quartet THE JUNGLE GIANTS. These guys have honed their festival skills touring their hugely successful debut album “Learn To Exist”. Adding to the diversity of the line up is Melbourne based hip hop star ALLDAY kicking it with his mates on the outdoor stage.
IN HEARTS WAKE join their mates from Byron Bay, PARKWAY DRIVE on the mainstage bringing their post hardcore to celebrate the release of their new album. Both stages will be kicked off by two of the most exciting bands of rock n roll upstarts going around with LUNATICS ON POGOSTICKS and THE CREASES firing things up on their separate stages.
Spotify are proud partners of Live It Up. More info and tickets can be found here
Nearly half of the world’s population watched at least a minute of the last World Cup, according to FIFA (.pdf). At this year’s Brazilian extravaganza, we expect even more people to tune in, given that viewership increased 8 percent last time around.
But you don’t need to know that to understand the global impact of the World Cup — especially in the countries whose teams play that day — whose effect on these nations is so deep that it can be measured by how people listen to music in the hours following the victory or defeat of their team.
With over 40 million regular users and over 10 million subscribers in 57 countries, Spotify reaches many of these soccer (ahem, “football”) fans. To find out how their listening behavior differs based on whether their team wins or loses, we first looked at a World Cup qualifying match.
Our hypothesis: People in the winning countries would listen to happy party music, while people supporting the losing team might resort to less energetic music in order to cool off. However, our acoustic analysis of the top songs after both legs of the qualifying match between Sweden and Portugal in both of those countries actually didn’t show much of a difference in terms of the energy level of listening in those countries.
But we did find something else, which we didn’t actually set out to find. People in Portugal (the winning side) returned to Spotify after the match was over, presumably to celebrate with a post-game party.
Meanwhile, people in Sweden (the losing side) were less likely to listen to music after the match.
Sure enough, there it is: The blue line (Spotify listening in Sweden) continues to decline after the game, while Portuguese listening spiked hard in the hours following the game.
“On the usage graph, we can see both countries’ usage rates go down as the game starts,” said Spotify and The Echo Nest data alchemist Glenn McDonald. “After it ends a couple hours later, however, Sweden’s usage continues to go down, and Portugal’s leaps back up. The victors turn the music back on and celebrate, the losers go to bed!”
To see if the same thing happened during the Spain vs. Netherlands in the World Cup Group Stage, McDonald ran the same test on Friday’s match, a stunning 5-1 upset for the Dutch.
“Well, it’s not very dramatic, but there’s definitely a bigger rebound after the game for the Netherlands than for Spain,” said McDonald.
See that red line jumping up way more than the blue line? Although not quite as dramatically as in the Sweden vs. Portugal graph above, we once again see that when the match ended, the winning country’s music fans tended to fire up Spotify more than those in the losing country (although the Spanish, unlike the Swedes, did increase their listening slightly after their loss).
Our conclusion, so far: People are more likely to listen to music on Spotify after their team wins than after their team loses.
(Note: These graphs do not represent absolute numbers; in other words, they show the amount of listening in each country, relative to how much listening happens there.)
Developers, start your engines. We’ve launched a new version of the Spotify Web API that lets you put everything from album art to music previews into third-party web apps, with a brand new ability to create real Spotify playlists for your users.
Developers, marketers, ad agencies, music hacking gurus, product managers, design firms, and anyone else who wants to build a Spotify web app to further their goals now have a great new tool at their disposal, with more multimedia and baked-in smarts than ever before.
The new web API gives you the power to create powerful music apps on top of Spotify, except instead of founding the company and growing it for eight years, you get to jump right in and start building stuff on day one using our music and metadata, now with the ability to create playlists.
You also get the deep musical intelligence of The Echo Nest. We’ve been hard at work integrating the two APIs so that you can make awesome stuff like this. Your apps can build real Spotify playlists for your users, leveraging all of that Echo Nest data, and all without leaving the experience you’ve designed.
New features include:
- Rich Metadata. The new web API lets you retrieve extensive track, album and artist details from the Spotify catalog, including cover art and 30 second track previews.
- User Profiles & Playlists. With a user’s permission, developers can now access user profile information including playlists, display name, image, country, email, external URL, and subscriber status. Web apps powered by this new API can also build new playlists for users to enjoy later, in their Spotify apps.
- The Echo Nest: Integrated. We’ve been hard at work with new family members, The Echo Nest, to bring the two APIs together. The result: You can build your projects atop the world’s best music service and the world’s best discovery data.
For more information, click here.
Exciting news! Samsung’s Wireless Multi-room speakers are the first wireless multi-room speakers to launch with Spotify Connect built in!
The Samsung Wireless Audio Speaker range (M7 and M5) lets you connect your music wirelessly across multiple rooms of your home.
With Spotify Connect built in, you can stream your favourite music and playlists directly from Spotify. Hit play on your mobile or tablet, and the music booms out in any room of your home. You can even play through multiple speakers at the same time.
Easy to position in any room, these fantastic speakers look great and sound even better!
Samsung’s Wireless Audio Multiroom can be used alone or wirelessly with other Samsung devices, including TVs, Soundbars, Home Entertainment Systems and BluRay Players via Wi-Fi to create a multi-room audio system. The speakers are controlled from a downloadable app and facilitated through easy plug-and-play installation. With NFC functionality, pairing has never been easier, allowing customers to simply tap their smartphone to the Wireless Audio Multiroom to instantly play music from their mobile device.
To find out more about the new Samsung Wireless Speakers, click here.
You’ll need Premium to use Spotify Connect – try it free here.
With his hotly anticipated ‘Shades’ EP landing on July 11th, young Australian electronic producer Kilter will be hitting the road this winter and taking his live show around the country on a 17-date Australia and New Zealand tour. Starting off in his hometown of Sydney on July 11th, Kilter will then hit Melbourne, Bathurst, Adelaide, Perth, Newcastle, Brisbane, Townsville, Canberra and Wollongong, before heading across the Tasman to play shows in Ohakune, Dunedin, Queenstown, Christchurch and Auckland.
Kilter will also be performing at the sold out Splendour In The Grass festival in Byron Bay. Kilter’s infectious and atmospheric sounds have been driving people to the dance floor, but it is his live show that keeps them dancing and sets the electronic whiz kid apart. With an MPC, synths, microKorg and drum kit in tow, his show is a live manifestation that speaks volumes for Kilter as not just a skilled producer, but also as a talented musician. His percussion-infused pulse is perfectly mirrored by his kinetic energy and enthusiasm, pushing him to the front of the pack of new artists creating and developing the Australian movement.
KILTER SHADES TOUR DATES – more info can be found here.
Friday, July 11th Oxford Art Factory, Sydney
Saturday, July 12th Shebeen, Melbourne
Wednesday, July 16th DK @ Charles Sturt University, Bathurst
Friday, July 18th Cats @ Rocket Bar, Adelaide
Saturday, July 19th Flyrite, Perth
July 25th – July 28th Splendour in the Grass, Byron Bay
Friday, August 1st Fitzy’s, Bunbury
Saturday, August 2nd Toucan Club, Mandurah
Friday, August 9th Bowler Bar, Brisbane
Saturday, August 16th Flinders Social, Townsville
Friday, August 22nd Thank You MA’AM @ Meche, Canberra
Saturday, August 23rd The Grand, Wollongong
Tuesday, August 26th Turoa Lodge, Ohakune
Wednesday, August 27th TBA, Dunedin
Thursday, August 28th The Wall, Queenstown
Friday, August 29th Dux Live, Christchurch
Saturday, August 30th Platform, Auckland
It all starts with a song. Music inspires and ignites creativity in us all. This year, Spotify will be at the Cannes Lions International Festival of Creativity celebrating the best creative work of the year in advertising. While we are there, we will be conducting a Social Music Experiment to discover the songs that inspire and connect the world’s greatest storytellers. We will be asking the good people at Cannes one simple question, “what song inspires you?” And we’ll be sharing the results with the entire community.
Many of Cannes’ highest profile speakers have already shared their most inspiring tracks, which include:
- Gisele Bündchen: Garota de Ipanema, Antônio Carlos Jobim
- Sheryl Sandberg, Facebook: Ho Hey, The Lumineers
- David Hasselhoff: Looking for Freedom, David Hasselhoff
- Ne-Yo: Baby, I’m a Star, Prince
- Sir Martin Sorrell, WPP: My Funny Valentine, Chet Baker
- Dynamo: F.E.A.R., Ian Brown
- Jeffrey Katzenberg: Light My Fire, The Doors
If you are attending Cannes Lions, and want to contribute, visit us on your mobile phone at spotify.com/cannes. After you share the track that inspires you, we’ll also give you a personalized playlist based on your shared track with the help of our good friends at The Echo Nest – and then allow you to find your Cannes’ musical connections.
We’ll also bring your musical connections to life. Each evening at Le Palais, we will be visualizing the “music network of Cannes” in a nightly “digital fireworks” display. If you’re attending, you should stop by as it’ll be quite a show!
If you are not attending and want to follow the Cannes’ music conversation, check out spotify.com/cannes. You can also follow @Spotifyads on Twitter to stay connected.
Frontier Touring are pleased to welcome back Kina Grannis, the much loved Los Angeles-based indie songstress to Australia and for the first time to New Zealand this July!
Grannis started gaining devout followers back in 2007 when she began broadcasting her talent to the world. She is now closing in on 1 million subscribers and 150 million views on Youtube; with the love only growing for the singer-songwriter who despite the growing popularity, endearingly holds onto her humble beginnings.
Kina Grannis’ 2012 Australian tour saw her play multiple sold out shows. With a new album in tow and her first ever New Zealand show, this time is expected to be no different – make sure you don’t miss out!
Sat 12 July Auckland | The Wintergarden(All Ages)
Ticketmaster.co.nz | 0800 111 999
Wed 16 JulyMelbourne | Athenaeum Theatre(All Ages)
Ticketek.com.au | 132 849
Thu 17 July Adelaide | The Gov(All Ages)
Oztix.com.au | 1300 762 545
Sat 19 July Brisbane | The Tivoli(All Ages*)
* Under 18s must be accompanied by a parent/guardian
Ticketmaster.com.au | 136 100
Sun 20 JulySydney | City Recital Hall Angel Place(All Ages)
Cityrecitalhall.com | 02 8256 2222
Melbourne multi-instrumentalist, singer-songwriter and producer, Fractures will release his highly anticipated self-titled debut EP on July 4 via Create/Control. Pairing infectious pop hooks with haunting narrative, Fractures, AKA Mark Zito, has won fans and praise from his peers including Gotye and Chet Faker for his dark, alluring sound. Fractures features the lush production and swoon-worthy vocal harmonies for which Zito is becoming renowned, with new single ‘Won’t Win’ a moody, seductive and hypnotic follow up to his previous releases.
The EP comes after a challenging twelve months for Zito, after garnering strong support from his first release, notching up over 500,000 online streams for singles Twisted and Cadence, reaching the top three on Hype Machine and receiving The Guardian‘s coveted ‘Single of the Week’, he suffered a career threatening set back in mid 2013, fracturing his neck just days before his sold out show at Melbourne’s Toff in Town.
After some difficult months spent in recovery, Fractures bounced back to complete the recording of his eight track debut, and front his five-piece band at sold out shows in Sydney and Melbourne, and join the line up to play at Splendour in the Grass in July.
Friday 25th July || Splendour in the Grass || Byron Bay
North Byron Parklands
Friday 8th August || The Vanguard || Sydney
42 King St Newtown
Tickets from http://www.thevanguard.com.au
$12 + booking fee
Saturday 21st June ||Northcote Social Club|| Melbourne
125 Boundary St West End
Tickets from http://www.thehifi.com.au
$12 + booking fee